Heath Newman is a multidisciplinary artist currently living and working in Melbourne. After graduating from Sydney College of the Arts in 2011, his inspiration drove him to India where he spent two years learning painting techniques and colour studies from a culture rich in its visual and philosophical arts. Following India his travels and explorations of visual culture took him across the East through Sri Lanka, Laos, China and Vietnam where he became deeply interested in the art of scroll painting and the Zen attitudes undertaken to create them. Finally, Heath moved to New York where he lived, worked and exhibited for over a year. Prior to returning to Melbourne, Heath has been living in Byron Bay learning the art of alchemy through herbs of Chinese Medicine and cultivating relationships between the human body, psyche and the natural environment.
Heavily influenced by the art of The Southern School (China/Japan) and Bonsai which Newman learned from his father; he draws from the idea of Literati: the scrawl of the drunken monk. Literati is a culture of art formed in China and then Japan notably concerned with ink painting, splashes, calligraphic scrawls and minimalistic plant styling (bonsai.) This culture of painting and the creation of bonsai were deep in philosophical subtext concerning the art of harmonious involvement with nature. Drawing from this Newman’s work incorporates elements of hesitancy and fragility into the confident physical gestures of abstract expressionism. Combining fragments of still life, myths of the world, strokes, scrawls and colour fields Heath describes his work as a mental map; both of his subconscious and of the greater, deeper collective consciousness. These ideas and the exploration of colour in Heaths work continues to drive his exploration of texture, tone, perception and depth; the arise of colour in the human eye and brain, the appreciation and discrimination of harmony and the confusion and intrigue of visual perception.
Newmans latest exhibition "Somnium" is a combination of myth and nature, the exhibition takes its cues from Greco-Roman mythology exploring the personification of place, sentiment and actions. Somnium, Latin for ‘dream’ focusses on the lesser represented emotions of ancient fables whilst modernising and amalgamating their subtext with use of symbology, glyphs, scrawls and flora. The exhibition aims to transport the viewer to a realm of reverie and aid them to walk the serpent line of beauty exploring a version of Arcadia where sensations and myth spill and blossom into flowers.
Bachelor of Visual Arts Honors
Sydney College of the Arts
Period Restoration and Fine Joinery
Melbourne Guild of Fine Woodworking
Exhibitions: Not including works completed as Davis Newman
2018 "Somnium" Otomys Contemporary. Melbourne, Australia
2015 “Wax Off” Secret Garden. Byron Bay, Australia
2013 “Space/ Light” Brooklyn Fireproof, New York, U.S.A
2012 “Light” Coates Wyllie, New York, U.S.A
2012 “New Works” Brunswick Street Gallery. Melbourne, Australia
2012 “New Works” Galería El Museo, Bogotá, Colombia
2012 “Works on Paper” Gallery 706. Colombo, Sri Lanka
2011 “Subjective Timbre” Gallery Espace. New Delhi, India
2011 “Wood is Good; Wood is Ancient” Peloton Gallery, Sydney, Australia
2010 “Group Show” Sydney College of the Arts, Sydney, Australia
Karmaloop New York
Coates Wyllie Collection
The Art of Garden